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All in Quilt
A collaboration with my late grandfather. Her tears are comprised of an old film photograph of a hunting trip he took in the 70's.
English Paper Piecing is one of the oldest forms of hand quilting. It is the base for the famed grandmother quilt made of hexagon flowers. It is also a huge source of community for women as they sit in groups to work on their EPP projects and trade fabric hexagons with one another. The process is also physically draining and time consuming, which is why it is often not a solitary practice. I found that stripping the community from such rigorous processes allowed me to push my body and attention span.
You’re Too Good Looking to Be This Size is a musing about a statement that my doctor made to me while administering my yearly physical—with his mouth close to my ear.
The undulating, empty sack hung from basement piping is a visual representation of the mental and emotional process I go through when processing the flaws of my body.
In continued efforts to meld the digital with the physicality of quilting, I began experimenting with the digital pixel and its optical ability in the physical world. I was also interested in the idea of ‘baring it all’ under the protection of the pixel.
English Paper Piecing is one of the oldest forms of hand quilting. It is the base for the famed grandmother quilt made of hexagon flowers. It is also a huge source of community for women as they sit in groups to work on their EPP projects and trade fabric hexagons with one another. The process is also physically draining and time consuming, which is why it is often not a solitary practice. I found that stripping the community from such rigorous processes allowed me to push my body and attention span.
English Paper Piecing is one of the oldest forms of hand quilting. It is the base for the famed grandmother quilt made of hexagon flowers. It is also a huge source of community for women as they sit in groups to work on their EPP projects and trade fabric hexagons with one another. The process is also physically draining and time consuming, which is why it is often not a solitary practice. I found that stripping the community from such rigorous processes allowed me to push my body and attention span.
English Paper Piecing is one of the oldest forms of hand quilting. It is the base for the famed grandmother quilt made of hexagon flowers. It is also a huge source of community for women as they sit in groups to work on their EPP projects and trade fabric hexagons with one another. The process is also physically draining and time consuming, which is why it is often not a solitary practice. I found that stripping the community from such rigorous processes allowed me to push my body and attention span.
‘I expect you to be outgoing, friendly, obedient, smart, and fun.’ came from a message sent to me by a man in a message online.
‘6:30 p.m.’ is the time stamp on the field camera when it caught a beautiful doe looking straight into the lens.
In continued efforts to meld the digital with the physicality of quilting, I began experimenting with the digital pixel and its optical ability in the physical world. I was also interested in the idea of ‘baring it all’ under the protection of the pixel.
English Paper Piecing is one of the oldest forms of hand quilting. It is the base for the famed grandmother quilt made of hexagon flowers. It is also a huge source of community for women as they sit in groups to work on their EPP projects and trade fabric hexagons with one another. The process is also physically draining and time consuming, which is why it is often not a solitary practice. I found that stripping the community from such rigorous processes allowed me to push my body and attention span.
The undulating, empty sack hung from basement piping is a visual representation of the mental and emotional process I go through when processing the flaws of my body.
A lament on the details of the body. An examination of the face in the basement - a vignette of my face, construed and strung on basement piping.
In continued efforts to meld the digital with the physicality of quilting, I began experimenting with the digital pixel and its optical ability in the physical world. I was also interested in the idea of ‘baring it all’ under the protection of the pixel.
Completely out of the blue in 2016, I received an email from a boy (man) I used to talk to in high school. He was 18 and I was 14. This piece is part of my response to this email.
In continued efforts to meld the digital with the physicality of quilting, I began experimenting with the digital pixel and its optical ability in the physical world. I was also interested in the idea of ‘baring it all’ under the protection of the pixel.
