Her eyes show most defiance in the large, unfuckable soft sculptures that begin to inhabit our space. The soft, pillowy self-portrait shown in gallery requires that we move around it. We can’t just put it away and forget it. It is a lumpy, undeniable fact that we must adjust to, not the other way around […] This is one strategy for her reclamation of agency- to use her sex appeal as the bait to her trap. Very much biting the hand that used to feed her.